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The building’s narrow railroad flats, if not luxurious, were adequate and cheap the location, near the gay bar circuit on Third Avenue in the East 50s, was convenient and most important, the other inhabitants were friendly and supportive.
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Several friends did, and some of the newcomers encouraged their own friends to join them. Willy was happy to do so, and as other apartments opened up in the building he invited other friends to move in. When they moved out he wanted to make sure that someone more understanding would take their place. An elderly couple had occupied it for years, and, since the walls were rather thin, the friend had never stopped worrying that they heard him late at night with gay friends and had grown suspicious of the company he kept. The friend had an apartment in the building and wanted Willy to take the apartment next to his. He moved there at the invitation of a friend he had met at Red’s, a popular bar on Third Avenue at 50th street that had attracted gay men since its days as a speakeasy in the 1920s. George, it seemed to him, was “almost entirely gay,” and the friends he met there introduced him to yet other parts of the gay world.Īfter living briefly in a rooming house on 50th Street near Second Avenue, he finally took a small apartment of his own, a railroad flat on East 49th Street near First Avenue, where he stayed for years. George Hotel in Brooklyn, which offered more substantial accommodations. Most of those friends were gay, and the gay world was a significant part of what they showed him. As was true for many other young men, the friends he made at the Y remained important to him for years and helped him find his way through the city. arrived in New York City in the 1940s, he did what many newcomers did: he took a room at the 63rd Street YMCA. The Martinique (2500 West 95th Street) was a popular restaurant and floor show venue for the far South Side.When Willy W. Mangam's Chateau (7850 Ogden Avenue) offered popular entertainment with an outdoor dancing and dinner package. Its mobster clientele favored Parisian-style reviews with nude chorus lines, but they also supported appearances byĪrtists such as Eddie South and Milt Hinton. One of the most exotic and colorful suburban nightclubs was the Villa Venice (2855 Milwaukee Road) in Lewis and vocalists Ruth Etting, Billie Holiday, and Anita O'Day appeared there in the early stages of their careers. Performers such as singer/comedian Joe E. Opening in 1907 on the far North Side, the Green Mill (4802 North Broadway) remains the longest continuously operating nightclub in Chicago. At the Club DeLisa, Chicagoans could hear performers such as Count Basie and Joe Williams. Located at State Street near Garfield Boulevard on the South Side, the Club DeLisa was the largest and most important nightclub in theĬommunity from the 1930s through the 1950s. Also located in or near the Loop were freestanding nightclubs such as Friar's Inn (343 South Wabash), the Blackhawk Restaurant (139 North Wabash), and Chez Paree (610 Fairbanks Court). These included the Stevens Hotel's Boulevard Room, the Palmer House Hotel's Empire Room, and the Sherman Hotel's College Inn–Panther Room. Housed nightclubs catering to a general audience and featuring dancing to big bands, floor shows, and live radio (at State Street and Garfield Boulevard). Since the early decades of the twentieth century, nightclubs have been concentrated in three areas: the Harrison's reform administration, and nightlife establishments moved out into other areas of the city. This infamous district, known as the Levee, was shut down in 1914 during
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Chicago nightlife grew rapidly in the wake of the 1871 fire and then again in conjunction with the 1893ĭuring this period the ragtime dance craze attracted exposition patrons to the entertainment area on the